Saint-Denis

building

decorative program

historical context

related objects

images | bibliography

Basic Info
Dates 1135-1140, 1140-1144, 1231 - late 1200s
Material Stone
Significance and Basic Concepts The choir of Abbot Suger was the first fully gothic structure. For Suger light functioned as a sign or bridge to the divine.
Patron Saint Saint-Denis, patron saint of the monarchy

   

 

nave looking towards choir

ambulatory

   


building

Initially the nave of St-Denis had mosaic walls, a low wood roof and marble columns.

With the building campaign of 1135 Abbot Suger(1081-1151) created the first church in the gothic style. St-Denis relates to the thin wall Parisian churches of St-Germain-des-Pres, St-Martin-des-Champs, and St-Pierre-de-Montmartre, as well as to Norman churches such as the 1120 church of St-Martin-de-Boscherville with its rib and groin vaults, applied colonnettes and bay system, and Durham with its the buttress experimentation of the 1090s. Additionally St-Denis relates to Paray-le-Monial, St-Germain-de-Fly, St-Martin-des-Champs (Paris, 1140s) which experimented with the stiffening of masonry arches. The incorporation of older columns and stone from Gallo-Roman buildings creates references to Rome and the Gallo-Roman past of France. The ambulatory was to assist with circulation.

Apparently the first vaults of Suger's choir collapsed and were replaced within a hundred years - the original piers may not have been substantial enough to bear the weight. The thin ambulatory columns were installed as part of Suger's campaign, 1140-1144, and the thicker choir columns were presumably required after the collapse, c. 1231.

Building Campaigns

1130s-1140

construction of a narthex built in front of the Carolingian façade and dedicated 1140. The twin towers reference Norman churches. The unified portal sculpture program of the Virgin, Christ, and the Apostle of Gaul, was developed at this time*. The Axis of Penitence was developed as well. Abbot Suger lead the construction until his death in 1151.

1140-1144

construction of the choir above Hilduins' chapel.   This Choir was built in new, gothic style and dedicated in 1144.   The choir and new narthex were then connected, razing the previous church. The focus then shifted to surrounding buildings. This new choir was a "lantern" of light for the apostles of Gaul - the choir floor was at eye level and the tomb backlighted*.

c. 1231- later 1200s

Abbot Eudes de Clˇment (1230-45), commissioned by Louis IX, removed Carolingian remnants and rebuilt Suger's nave and transept.* Pierre de Montreuil may have worked as the Master Mason c.1247. Axis of penitence.

1260, 1280

triforium

14th c

woodwork in tower

   

Destruction, Restoration, Excavation and Study

1793

Royal tombs desecrated

19th c.

Chapelle des Valois in the south transept built by Catherine de Medici destroyed

19th c.

Legrand & Fontaine, restoration work

19th c.

Dubret rebuilt the northern spire which then had to be torn down due to cracks

19th c.

Viollet-le-Duc, restoration work

early 20th c.

Sumner McKnight Crosby, excavation

1950

Jules Formige

 

Edouard Salin

1957 -1969

Michel Fleury

later 20th c.

Oliver Meyer, excavation

c. 1972-1989

archaeological excavation just North of Saint-Denis


decorative program

West Facade Portal Sculpture

North Portal

Center Portal

South Portal

This portal includes the Virgin and zodiac images on the piers. Initially this portal, unlike the others, was decorated with mosaic.

Last Judgment, Christ amidst apostles and angels (including Suger). This portal previously had a central column and lintel, and gilded bronze doors showing Suger with crook before Jesus among pilgrims of Emmaus

 

Story of St. Denis with roundels showing seasons and months

The portal scheme relates to theology of Dionysius the Areopagite.

The façade also included column figures of kings and patriarchs which are now dispersed.* Inside were the tombs of Merovingian, Carolingian, Robertain, and Capetian kings and nobility. Since portions of the bodies were buried in separate places a French king would have several burial places. Louis IX reorganized the tombs at St-Denis, placing Merovingian and Carolingian rulers on the right side, Robertian and Capetian rulers and on the left, and Philippe-Auguste, Louis VIII, and, eventually, himself in the middle, linking the two sides.

Just as the older church of St-Denis was bright with mosaics and gold the St-Denis of Abbot Suger was bright with stained glass. For Suger light functioned as a sign and expression of the divine. He spent 700 pounds on the windows of St-Denis. St-Denis had the first west rose window which Suger installed c. 1135 by the chapel of St. Michael. Six windows from the time of Abbot Suger remain, however, this is not enough for developing an understanding of the program. These six windows are: Tree of Jesse, Infancy of Christ, Life of St. Paul and of Moses, Saint Benedict and Saint Vincent, Signum Tau, and a portion of the passion window.  Suger spent 700 pound on the windows, a vast sum. The glazed triforium dates from 1260,1280. Some of the glass is from the time of Napoleon.


historical context

St- Denis underwent Cluniac reform c.996, and as the burial place of kings St-Denis enjoyed royal patronage and support.

Abbot Suger (1081-1151, Abbot, 1122+) reformed St-Denis, lead the St-Denis building campaigns of 1135 and 1140, and added to our understanding of that architecture through his writings. He is known to us primarily through those writings and that of his biographer, brother William. Suger first addressed the criticism of Bernard of Clairvaux and reformed St-Denis. While Suger made the monastic rules more stringent he also added more feast days, presumably in an effort to make the new rules more acceptable to his monks. Suger reorganized the monastery economically, tripling St. Denis revenues and liberating the serfs under him. His new choir was the first full manifestation of the gothic style.* He was enthralled with light and its symbolic value. He perceived light and beauty as signs, signs that functioned as bridges to God. His outlook was Platonic in nature.* When Louis VII went on crusade Suger, with the blessing of the king and pope, governed France.

Functions of St-Denis

 

burial place of kings (Philippe-Auguste through Louis XV, excepting Louis XI, Eude, Hugh the Great, and Hugh Capet, post facto, buried there)

through 1610

coronation of queens

 

papal residence during visits to the area .

 

Keeper o f the Royal crowns

1300s - 1600s

setting for receptions of foreign dignitaries

c. 1793

Temple to Reason

 

town hall

1796

military hospital

1806

the monastic buildings housed the Legion d'Honneur, educational facility

c. 1816

Royal necropolis and church


related objects

 

The in addition to the treasures dating to Merovingian and Carolingian times the treasury of St-Denis included:


scepter of Charles V
Roland's horn
crown of Louis XV
"escrain"
(a screen with "700 pearls, 135 emeralds and 209 sapphires")
portable porphyry altar
silver lamps and candelabras
ivories for book bindings
eagle of Abbot Suger
vase of Eleanor of Aquitaine
(Sassanian vase, 6th - 7th c.; mounting, 13th - 14th c.)
plaque of St. John c.980
gold altar which may have had enamel decoration
Oriflamme - standard associated with abbey and king
golden reliquary of the head of Saint Denis
(with pearls and golden nails, acquired under Louis IX)
Virgin and Child of Jeanne D'Evreaux, widow of King Charles IV
(Paris, 1324-39 possibly by Jean Pucelle; donated 1339)

 

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